So’s characters convey a quiet and poetic dignity, but are also humorous in their humble depictions. Rafiq, for example, with his patrician Romanesque tunic, is almost swallowed up by his bulbous hair. He becomes like a cartoon rendered in three dimensions, and to accentuate this, his features are ‘drawn’ or scratched on, not sculpted. So develops her portraits through a simultaneous process of sketching and sculpting, and the tension between flatness and form is important to her work. The portraits’ minimal style creates a challenge of how stories or narratives can be suggested through the barest amount of information.

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