El Lissitzky was diametrically opposed to the absolutely non-utilitarian Suprematism of Kasimir Malevich, whose spirit returns in Sparks’ Gudrun Constructed to engage in ideological battle with Gudrun Ensslin, a founding member of the violently revolutionary Baader-Meinhof Gang. Sparks combines Malevich motifs, photographs, vinyl, aluminium foil and glitter (which I take to stand for the seductive, even hypnotic power of all photographic imagery) to create a part-digital, part-physical, five-section collage that reads almost cinematographically, but like a snippet of film, recalling collagist Paul Nash’s observation that “The more the object is studied from the point of view of its animation, the more incalculable become its variations; the more subtle becomes the problem of assembling and associating different objects in order to create that true irrational poise which is the solution of the personal equation”.

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