A DIY, punk aesthetic runs through the work of Sergey Pakhomov, whether it be his outsiderish paintings, ranting microphone performances, or his notorious participation in underground cult films. Pakhomov utilises a lo-fi theatricality to present his own take on how to define the Russian tradition, defending a staunchly anti-commercial stance feeding on so-called vulgar, popular visual culture, and pointing to its embeddedness within a larger culture of the absurd.

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