Iranian-American artist Tala Madani paints a provocative and humorous discourse on cultural and sexual identity. Picturing the male domain in all its stereotypical glory, Madani’s portraits of Middle Eastern men play out fictive rituals of a deviant, distinctly female imagination: prayer gatherings twisted into homosexual orgies, birthday parties targeted for terrorist attack, and tattoos and body hair plucking construed as the latest in ultra-macho beauty makeovers. In devising her scenes of aberrant ceremony, Madani pinpoints the very essence of frustration, fervour, and inadequacy.

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