Nayar’s constructs recall the work of German artist Thomas Demand, renowned for his paper interiors that, once photographed, allude to something significant having taken place. However unlike Demand’s work, her fictionalised interiors such as Sincere are less a reconstruction from recent history and more away into the artist’s imagination, in which objects and emblems are juxtaposed in architectonic niches. The artist uses both made and found objects as well as images sourced from cinema, photographic archives and mass media to create these interiors.

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