Scheibitz’s still life bauble is represented in the most abstracted terms, the compositional elements replicating concepts of distance, memory, and sentiment. Angular shapes float in rhythmic disorder encapsulating the curvaceous harmony of the globe. Inside the sphere, the dreamy spaciousness of the surface takes more concrete form. Like a painting within a painting, Scheibitz creates multiple planes of contemplation and projection. Using this contrast tocapitalise on the tension of distraction, he suggests the futility of daydream escapism; his sombre colours both disorienting and melancholic.

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