By drawing directly onto photographs, Nayar’s 2008 series recalls the work of French architect Yona Friedman and his portfolio of working sketches and formal solutions for which he draws and scores directly onto documentation of pre-existing architectural spaces. Such inventiveness is at the root of Nayar’s geometric interventions that have her redesigning damaged cityscapes in order to suggest greater possibilities. In this work, Nayar manages to invent order out of chaos, to seek sense where there are only the remnants of destruction.

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