Craftwork, and the use of everyday materials, are central to Holstad’s practice. Labour-intensive, often collaborative techniques such as sewing, knitting and crocheting feature strongly in his work, embodying his interest in the tactile object and its ability to convey sensuality and comfort while resisting the increasing ’virtuality’ of contemporary life. Like the majority of his works, be they drawings, collages or soft, sculptural forms, The Brain Quilt is imbued with a distinctly personal aesthetic symptomatic of a close physical and emotional relationship with its maker. The coloured and colourless forms seem to suggest the vagaries of human memory, or the contrasting sentiments at play in one’s mind.
Erasurehead series text by Ben Street