“When I work, the body is like a universe where I can lose myself. It is a metaphor for the landscape, nature and the mountains”, Altmejd has said. The Healers (2008), another sculpture over two metres high which is formed of wood, foam, plaster and burlap, shows wildly overlapping figures and figurative fragments – hands, wings, kneeling and kissing figures, rendered as if in the midst co-dependent, sexually charged physical agony.
Equally reminiscent of baroque compositions representing the descent of the cross as well as of 19th-century public bronze sculptures commemorating battle massacres, Altmejd’s elaborate tableau, mixing handmade craft with the illusion of a digital freeze-frame palimpsest, evokes a mood of constant alchemical mutation.

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