“When it was originally exhibited The Waitress was made to be a backdrop for two other pieces I made. At the time I was looking at artists including Matisse, Calder, Gris, and Picasso’s later work. The guitar shapes look like a woman’s body, and also reference Cubist still life painting. Blue, like the cut-out leg, is a recurrent motif in my work. It’s the kind used for special effects in film and television. I don’t really like showing my work in conventional looking gallery spaces as it’s too removed from real life and the idea is that blue-screen blue is even more invisible or neutral than a white cube. I try to display the practical elements in my work: the clamps, for example, allow the viewer to see exactly how things are made, there’s no tricks. The composition looks like a woman lying on her side; her private parts are suggested by decorative pepper shakers, dried apricots and a German laugenbrot. I like using things that will perish; it gives a tempo to the work.”

0
    0
    Your Cart
    Your cart is emptyReturn to Shop

    Thank you for your enquiry!

    Your message was sent and one of our Admin team will respond as soon as possible.

    If you have an urgent question, please call our front desk on 020 7811 3070.

    For more information on how we store and use your data please view our privacy policy here. You can unsubscribe from our newsletters at any time by clicking on the links below the emails we send you.

    Essential Information Before Your Visit:
    Click Plan Your Visit for full information on upcoming closures.

    Register for email updates
    Be the first to hear about the latest Saatchi Gallery exhibitions, events, offers and news