In Twister Mat , Schutz sets up a scene of malevolent intrigue. Using painting as a means to realise impossible scenarios, where the illogical is celebrated as the function of imagination, Schutz presents a picnic gone horrifically awry as pastoral normalcy. Both funny and revolting, Schutz uses surrealism to delve into primitive desire. Rotting in believable sun-baked atmosphere, Twister Mat invokes a carnal familiarity; the monstrous reinvented with a home-spun comfort.