Silver’s most recent creations don’t rework existing sculptures, but rather use natural materials. In Untitled, the ‘head’ is a piece of black and gold Portoro marble; the base is made from found wood, and the ‘kerchief’ is assembled from collectable fabrics. These organic media each exemplify a certain ideal of perfection. The raw forces of the elements, sublime craftsmanship, or the simple beauty of utilitarian planks each contribute to a notion of value that is based neither in commerce nor aesthetics, but rather in an animistic quality in their physical matter. Untitled emits a sense of profound knowledge from within its modest material form.

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