Working with found materials and constructed forms, Huma Bhabha reworks the familiarity of everyday objects into creepy inventions. Something between a primitive species and space alien, her Untitled is both ghastly and sympathetic. Set atop an altar-like plinth, Bhabha’s figure prostrates in submissive position. Shrouded in black, hands outstretched as if in prayer, it echoes humility and reverence; its aura of calm perversely interrupted by a rigid tail trailing out from behind.