Greenbaum’s graphic formations often emerge from neutral
grounds; an optical play on the floating quality of flat space,
simultaneously directing the eye deep within and back to the
surface of the painting. In Untitled, planes of colour
hover in entropic perspective; their fragmented patterns creating
a labyrinthine effect, churning anxiously in suspended space.
Jotted numbers and lines emerge in rapid succession as if
to measure this infinite form; their hurried precision lends
a sense of fragility to Greenbaum’s precarious composition.

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