Josephine Meckseper’s Untitled (%) is a witty exposé of cultural consumption. In a composition set on designer shelves, Meckseper literally conceives the gallery as a display unit, where culture becomes commodity, ideas are bought and sold, and art objects are flogged as products of luxury. Framing art as an extension of lifestyle ephemera, paintings sit too easily between sales counter gimmicks and embarrassing merchandise, satirising both art world vacuity and the anxieties of cultural assimilation.