Josh Smith’s works explore ideas of authorship and originality. In Untitled, Smith interrupts his collaged backdrop of photocopies and printed matter with hand-painted elements, both elevating the aura of mechanized copy and demoting the autonomy of the artist’s gesture. Smith’s practice is highly idiosyncratic: generating a prolific output of work, his processes and aesthetic engage with repetition as a philosophical concept. Drawing reference to Andy Warhol’s mass production, Hanne Darboven’s obsessive archives, and Robert Rauschenberg’s combines, Smith approaches replication, aggregation, and appropriation as an artistic sublime.

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