Set on the gallery floor as the aftermath of a fatal wreck, Kelley Walker’s Untitled evokes disturbing narratives. Encapsulating beauty and horror, the twisted and smashed windshield takes on a formalist intrigue and decorative desirability, as slivered glass gleans as diamond dust and amoeba-like splotches of paint glow with ornamental celebration. As with all accident scenes, the chilling truth lies in the forensic evidence: coated with candy coloured stains, Walker’s untitled portrays a head-on collision with something abstract and seductive, a deadly force with all the frivolous characteristics of Pop.

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