Reducing recognisable forms to their barest essentials, Andy Collins’s Untitled is neither abstract nor figurative; but rather hosts a supernatural quality of inbetween-ness, an embodiment of aura and retention. Collins uses this subliminality as a departure point for mystical experience. Fixating on the suggested contours of forms, he slips between these cracks, physically exploring the workings of his image from inside-out; caressing its creases, savouring the possibilities of their imagined space. Through his intensive process of painting, Collins addresses the links between physicality and memory, the frailties of perception lifts into an expansive field of wonder and entrancement.

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