Andy Collins develops his forms from the sensuous suggestion of magazine layouts: tracing the gaps created by necklines, folded knees and flirtatious ripples in fabric. His paintings reproduce the sexual frisson of glimpsing up a skirt, the electric fixation of imagining what lies beneath. Through his intensive painting process, Collins’s titillating forms melt into mesmerising abstractions. Contemplation of negative space takes metaphysical form, a knowledge gained not only from seeing, but experiencing silky textures and promising depths. Through the physicality of making, Collins’s figurative subjects are expressed in abstract fields, as synthetic and emotionally distant as his sources.

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