Alsoudani’s Untitled is barely recognisable as a portrait. Mixing charcoal with paint, the surface evolves as a dirty corporeal mass, as pure colours become tinged by sooty dust and paint drips down the canvas in contaminated streams. Describing what might be a head, Alsoudani offers up an anguished abstraction combining organic textures with geometric forms. Rendering carnage with an almost cartoon efficacy, Alsoudani summates the base instinct of destruction as a volume of fleshy fields punctuated by industrial rubble; hard-edged circles and arcs lend an absurd consumerist familiarity suggesting windows and bullet holes in the cold pictograph motifs.

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