Through her staged photographs, Ghadirian’s everyday objects become elevated from anonymity to form a group of distinctive portraits. Humorously drawing upon the humanistic forms of each item, common goods resonate with suggestive narratives, ironically exaggerating misogynist typecasts. In this work a colander adeptly represents a woman who’s all mouth: a neighbourhood gossip conceived as a human sieve, endlessly broadcasting like a loud speaker.

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