Darbyshire’s homey assemblages function as models of modern living, the kind of dioramic displays that might represent ‘today’ in design museums or shop windows. Their studied genericism and fetishistic staging doubles as a form of portraiture. Drawing inspiration from novelists such as JG Ballard and Bret Easton Ellis, Darbyshire conceives his sculptures in relation to shopping theory: we are what we buy, and use our belongings to project a desired image of ourselves. Furnished with well-known affordable brand name goods, Untitled: Furniture Island No. 2 invites speculation on the type of person who might have this as their living environment. Its clinical hipness paints an ironic image of tragic yuppie-ness: chances are you probably own at least one of the items on display.

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