Caesar’s Untitled (White Domino) progresses the strategies of process art, creating finished pieces which are conceptually streamlined and aesthetically savvy. Cut from the same block,
each of the components is a cross section exposing the various materials suspended in the tinted resin, giving the impression of prehistoric drawings or excavated treasures found in slabs of exotic minerals. Presented in a henge-like arrangement, Caesar’s sculptures pose as luxuriant ruins, eliciting mysticism and wonder from a contemporary ‘archaeology’.

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