Extending beyond ad-busting, Kelley Walker’s computerised images don’t target specific institutions or causes, but rather critically expose the constant state of anxiety within contemporary culture. We Joked That Under The Paving Slabs There Was Gold turns innocuous folly into apocalyptic nightmare. Starting with an anti-capitalist poster that radically subverts the interpretation of disaster, Walker intervenes with a no-holds-barred addition to the dread. Mal-construing the poster’s invitation to ‘explore interspatial relationships’, Walker fills the gaps of the pictured road collapse with a river of toxic orange: encompassing the title’s pursuit of riches and the advertisement’s violent message into a supernatural Armageddon, rendered with trippy day-glo seduction.

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